The goal was to redesign the Tidal App for iPhone. The challenge was to simplify the music experience for its users and will make it even easier to use.
Black Panther is my favorite Disney movie to date. Not too many people knew the background of the character, so I decided to come up with a website dedicated to everything Black Panther. Here are a few screens.
Royal Reserve embraces responsibility to affect change on society, compelling us to refine the perception of our industry, elevate our community, and cultivate genuine, trustworthy relationships. Their intention is to promote a positive, happy, active, healthy lifestyle. We embraced our responsibility to affect that change within the industry culture, and allowed our passion to fuel creativity and forward momentum.
I was commissioned by Ignition who partnered with FX to launch their new series, Snowfall, about the rise of crack in 1983 Los Angeles. The social content series explored the human-side of the crack epidemic through the main characters and amplified how their choices caused repercussions that left an everlasting mark on South Central.
From the initial series announcement at Comic-Con to the global digital tool kit, creative lived across multiple channels to showcase these four individuals, a ragtag team group of misfits, as the ultimate dysfunctional family. They don’t get along… but they know the only way to defeat the Hand and save New York is to work together.
The digital ad campaign consisted of HTML5 Mastheads, takeovers and mobile interscrollers that disrupted the page content and brought the user into the worlds of the show. Following the dynamic look and feel of the other campaign elements, these ads help pull people into the world of The Defenders.
Ignition partnered with Snapchat to produce a filter for the upcoming release of the show, and I was asked to develop an effect with light leaks that echoed the global creative campaign style.
I was commissioned by the studio BOND to help create style frames for the opening title scene for Netflix’s “Castlevania”.
The story of two brothers coming together to rob banks in order to save their family's land. Hell or High Water is not simply a bank heist movie, as audiences get to experience the themes of brotherhood and family as the Howard brothers try to escape a cop on his way out. This social campaign highlights the heated and action packed moments of the film through the use of social statics and motion graphics.
Young children have the belief that storks deliver babies to families. Well the company the Storks run in the movie, Cornerstore.com, is actually in the business of delivering packages to humans. When a baby shows up at the factory to be delivered, a hilarious buddy road trip comedy ensues.
This action-packed campaign reminded mainstream superhero fan audiences that the league is Stronger United. It showcases each hero in their own Alter Ego social video, plus created multiple pieces of content that amped up the action! Leading up to release, this campaign drove anticipation through dynamic countdown videos, engaging statics & videos touting the positive reviews from fans and critics.
Creative Director: Jeremy Wabiszczewicz
Director of Photography: David Myrick
Art Director: James Ramirez
My Roles: Effects Animator / Animation / Compositing
Her Cute Things is a women’s clothing and accessory company geared towards women of color ran by my girlfriend Ariana Hernandez.
Optimizely is a world-class website optimization platform, providing A/B and multivariate testing that is incredibly powerful and easy-to-use. They asked if I could help them create an explainer video to explain their product moving to iOS